The artist, George Stubbs (1724-1806), was so fascinated by equine physiology that he performed numerous dissections of horses and posed the cadavers in different ways so he could understand how the equine body moves. A close study of Whistlejacket reveals that Stubbs captured the horse’s veins, muscles, and imperfections along with his intensity and athleticism.
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Foaled in 1749, Whistlejacket was sired by Mogul, a son of the Godolphin Arabian, and he was also descended from the Byerly Turk and the Bloody-Shouldered Arabian. A successful racehorse, Whistlejacket was famous for having lost only four races in his six-year career, although he left little mark on the Thoroughbred breed. He was a spirited and difficult horse, and one legend says the real Whistlejacket was furious and lashed out at the painting when he saw it.
The Godolphin Arabian portrait by Stubbs. The Godolphin Arabian was the grandsire of Whistlejacket.
By the way, the name “Whistlejacket” comes from an 18th century cold remedy containing sloe gin and caramelized sugar syrup.
You can view Whistlejacket up close at the National Gallery and research the stallion’s sire line at Thoroughbred Bloodlines.
Below is a 25-minute discussion by the National Gallery on this unique and memorable painting.